Mobile Space Shortlist
There are four shortlisted proposals,
below is the summary statements of each project. Public feedback
can be send to Art at the Centre to be received before the 22nd
April 2010 (see contact page for more details).
ArtBook – Aberrant Architecture
ArtBook is an art space that uses old and new forms of
communication to deliver mobile art happenings to culturally
disconnected communities. Firstly, community members download
the ArtBook app onto their smart phones, laptops or home
computers, to be instantly connected to a social network of
people similarly interested in creative activity and the
regeneration of their local area. Users can peruse the online
events menu for the Artbook vehicle, view exhibition times,
pre-book workshops and send electronic invites for performances
to friends, colleagues and other ArtBook users in the area.
Secondly, the mobile ArtBook vehicle arrives in local
communities at the advertised times, creating a self-contained
platform for public art commissions. The design for the ArtBook
vehicle takes advantage of the mechanisms of airport catering
vehicles so that the mobile art showroom can occupy the smallest
of roadside or urban plots. The internal showroom is raised to
the first storey, transforming the ground floor into a readymade
outside area that can be used for ‘on street’ workshops and
events as well as a café, physically reconnecting communities
through a shared appreciation for art.
Mobile Space- Simon Barker
Buildings that move are not exceptional on the Isle of Sheppey.
This proposal is for the recycling of a used shipping container:
a familiar site on Sheppey, whether bringing consumer goods into
the country at Sheerness or adapted in an adhoc way to make
cheap space. Shipping containers are ubiquitous they are both
iconic and invisible. Shipping containers are so familiar and
available that their reuse has become almost a folk-technology.
The proposed adaptation could be made locally with local labour
and materials. The welding and carpentry skills required are
found everywhere; especially in an area with maritime
connections and traditions.
The rugged exterior of the container will
contrast with the carefully fitted plywood lining and new
openings, which will bring light, a sense of space and a
connection between the outside into the interior. This will not
compromise its portability; the integrity of the structure will
remain. Transport will be by crane lorry: again a familiar,
available and inexpensive technology. The container’s proximity
to the ground will make it easily accessible. It is envisaged
that the space created would be simple and flexible; with
potential for use as a gallery, meeting space, office or studio;
and with only very simple fitted benches and concealed hinged
tables. The final detail and form of the adaptations will be
designed in collaboration with the commissioners and users of
the space. The robust construction of the container will give it
a long service life if necessary; and resistance to vandalism.
There is potential for it to be semi permanently stationed if
required.The ad hoc adaptation of the everyday to make something
rich and enjoyable at low cost is an appropriate reflection of
the spirit of self-help and ingenuity that is to be found
throughout the Isle of Sheppey.
Polycarbonate Mobile
Art Space - Thierry Bidet
Combining the ancestral and well grounded
construction type of the tent with cutting edge materials and
technology, this nomadic space intends to reconcile our deeply
rooted aspirations and traditions with the modern era we live
in. Two wall panels are used as very large tables for
celebrations and Art workshops. Temporary or permanent artworks
cut into colour films can be applied directly onto the panels.
At each step of the tour, completed panels are then included to
the Mobile Art Space. The Mobile Space has a sheer presence in
the evening and by night when it is illuminated from the inside
and the Art works situated inside are revealed. The Mobile Space
acts as a magnet around which activities and informal gatherings
and discussions take place. In the darkest days, polycarbonate
allows light in, bringing a sense of well-being and saving
energy.
The triangular structure is naturally braced,
while insulating multi-cell polycarbonate is used here for its
strength and structural qualities and not just for its translucency,
in combination with other elements working in tension,
eliminating metal frames and reducing the weight. Panels are
light and safe to transport and assemble using a click-on system
and pulling-lifting techniques. The full opening of one or both
extremities allows an effective cross-ventilation in the summer
and invites to come in, while the remaining walls strongly
direct the views towards the landscape when you are inside.
Mobile Art Space - Karen Henderson
The proposal is for a
mobile art space built on a flat bed trailer. Three beach huts
will form a backdrop along one side and appear to be either
falling over, or in the process of being erected. The
theatricality of the design references floats used in parades
and the potential for a spectacle to generate an audience is
central to this proposal. Beach huts have become valuable real
estate in recent times but originally stood for a more
classless, communal space in post war seaside communities. They
are a familiar sight throughout Kent though less common in Swale
and the design is intended to provoke discussion about how
regeneration can re-visualize the built environment and
revitalize the everyday and overlooked.
In contrast, the other
side of the art space will comprise a flat wall with folding
glass doors down one end which will open into a large space
which can be used for workshops and events. The design of a
space for temporary use and hosting, but not permanent
habitation will draw on the low tech improvisation and DIY of
the beach hut, which was originally a response to the austerity
of the post war economic situation, providing basic functions
with whatever was available. This approach will generate a
recognisable focal point for discussion and use by local
communities.