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Unearth Bridgette Ashton
Bridgette
Ashton's pieces are a response to the spectacle of the
excavation, making connections and finding contrasts between
passive observation and physical intervention. The works are a
collection of ‘artefacts’ combining on-site recordings with
imagined histories.
‘Castle’ is a model of Queenboroough castle
derived from the image on the local church font, contemporary to
the castle itself. The walls of the model are made out of
children’s games and images from the summer dig are suspended
within.
A series of 3d photographs (designed to be viewed
using 3d glasses) of the excavation site during the Time Team
visit suggest the promise of an explanation of events and
discovered facts.
A series of postcards portray visitors (from the
local community) to the dig on ‘public open day’. The cards are
embellished and decorated as if to honour each individual
visitor and will be mailed from Queenborough back to the gallery
during the exhibition.
‘Queenborough Castle Keyring’ depicts a 3d image
of the castle, again derived from the font, drawn on a preserved
oyster shell unearthed during the dig. |

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Wendy Lewis
Wendy Lewis has been looking
closely at features of Time Team’s dig and the town of
Queenborough. She has become interested in aspects of the
incidental and overlooked in the dig and surrounding area and
will be exhibiting both sculptural and image-based work using
these as starting points. The works will ask viewers to look
closely at what they see.
Wendy will
also be inviting residents of Sheppey to take part in a
large-scale performative work in their own gardens.
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David Edwards
David Edwards made portraits of locals who
use the castle site. |
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Linda Gibson
My
work concentrates on the passage of time and how we deal with
it. By working on this particular project I revisited my birth
place and responded to the castle site and the island itself. I
worked on the notion of a place ( in this case the invisible
castle and the island ) being surrounded by water and made this
my focus, presenting "e.scape" - A 10ft diameter steel
moat, containing water, in the middle of which is projected a
video showing layered images of past, present and future bridges
as well as the Time Team excavationalists scratching away at the
earth looking for traces of the past. Everything returns to the
earth eventually and becomes part of it. Live, distorted and
delayed, sounds from the gallery itself are heard to remind us
all of our transitory existence and how the present is
unfathomable.
Pupils from local schools have contributed to this piece by
responding to questions such as, "What do you like about
Sheppey?", "What don't you like about Sheppey?" and " How will
the new bridge change Sheppey?" . I ask," Is it still an island,
safe and secure with its drawbridge and moat? |
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Nicole Mollett
Gypsy Tart Castle
Wooden Table, pastry, icing, and vaporized milk.
Gypsy Tart Castle is a
response to the
history of the castle, the pioneering architecture, and its
eventual decline. The ‘gypsy tart’ is a local delicacy made from
brown sugar and vaporized milk, a much loved school dinner
treat. This artwork will be offered to visitors, in sections,
over the course of the show, mirroring the disappearance of the
Queenborough Castle itself
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Jeanine Woollard
Real fake ruin
Dimensions:150cm x 100cm x 100cm
Materials: MDF, polystyrene, plastics, metal, poster paint, PVA.
'Real fake Ruin' is the quest for an authentic piece of history,
the 'real
deal' or mythical space we all yearn for in our cossetted,
luxury lives. In
my work I am constantly reflecting on the 'real' in reality, on
the fantasy
world that surrounds the craving for true experiences that are
now mostly
lived out through the 'screen' rather than with our actual
bodies. My
version of the bygone castle ruin is a pastiche of all fantasy
castles,
presented as a kind of humourous prop, paradoxically true to
both fictitious
cartoon depictions and supposed genuine memories alike. |
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